Camera Obscura in Colour

Visually speaking, colour helps to tell stories. It can be used to add another layer of depth in a composition, or/and as a tool to communicate on an emotional level with the viewer. I’ve been thinking lately that maybe leaving the colour on the camera obscura portraits can make it easier for observers to see the pinhole effect. 

So the only way I can think of confirming this thought is to test it. If you have a minute drop me a line, txt me, call me, what ever is easy for you… Colour or B&W?